| James Bond Cloverland Credits |
| |
|
|
| DR. NO (2000 / 2006 / 2008) |
|
| |
Inside Dr. No |
Written and Directed by John Cork
Produced by David Naylor & Bruce Scivally
Narrated by Patrick Macnee
Edited by Edward Yost
Assistant Editors: Dan Schanks, Lisa Hancock
Research: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
Field Producer-Trinidad: Rhonda Alfonso
Camera: Geoff Greenside, Mike Medrano, Doug Meltzer, Graham Minassian, James Mulrian, Henry Nield, Duwaine Rude, Dhanraj Sirjoo, Paul Scrabo, Steven Wacks, John Whatton
|
Sound: Desmond Garrison, Kerry Gibbons, George Ann Muller, Geoff Neate, Dexter Roberts, Dave Rody, Doug Smith, Chris White
Make-up: Joannel Clemente
Digital Imaging Artist: David Larry
Production Assistant-Post Production: Tony Masci
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Mike White
|
Terrence Young: Bond Vivant |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Edward Yost
Assistant Editors: Dan Schanks, Lisa Hancock |
AVID Editing Consultant: Tom Ohanian
Research: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
After Effects Artist: David Larry
Production Assistant-Post Production: Tony Masci
Production Assistant-LA Shoot: Derek Miller |
MI6 Vault:
Premiere Bond: Opening Nights
The Guns of James Bond |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narrator: Michael Wilson
Sound Mixer: David Barnard |
|
|
| FROM RUSSIA WITH LOVE (2000 / 2006 / 2008) |
|
| |
Inside From Russia With Love |
Written and Directed by John Cork
Produced by David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Edward Yost
Assistant Editors: Dan Schanks, Lisa Hancock
Research: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
Field Producer-Rome: Mary Benedicta Cipolla
Camera: Geoff Greenside, Luca Meregalli, Graham Minassian, Henry Nield, Paul Scrabo, Steven Wacks, John Whatton |
Sound: Massimo Elisha, George Ann Muller, Geoff Neate, Dave Rody, Doug Smith
Make-up: Joannel Clemente, Abigail Graves, Jodi Lynn Malitsky
Digital Imaging Artist: David Larry
Production Assistant-Post Production: Tony Masci
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Mike White
Translation Voiceover: Nicole Dillenberg |
Harry Saltzman: Show Man |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally |
Edited by Dave Goldstein
Assistant Editors: Dan Schanks, Lisa Hancock
Research: Antonia de Barton-Watson |
MI6 Vault:
Animated Storyboard Sequence
Ian Fleming: The CBC Interview
Ian Fleming and Raymond Chandler
Ian Fleming on Desert Island Discs |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman |
Assistant Editor: Jessie Marion
Post Production Supervisor: Laura Lopez
Sound Mixer: David Barnard |
|
|
| GOLDFINGER (1995 / 1999 / 2006 / 2009) |
|
| |
The Making of Goldfinger |
Directed by John Cork
Written by Mark Cerulli
Produced by Lee Pfeiffer, Mark Cerulli
Executive Producer: George Feltenstein
Narrated by Patrick Macnee
Creative Consultant: Paul Scrabo
Camera: Paul Scrabo
Technical Support: George Ann Muller
|
Editor: Les Kaye
U.K. Production Manager: Dave Worrall
Director of Research: James Kroeper, Jr.
Assistant Director/Production Assistant: Bruce Scivally
Makeup: Jane Atkinson
Collectibles Photography: Tom Stroud
Film Archivist: Bill Duelly
Online Editing by Paul Scrabo |
Goldfinger Phenomenon |
Directed by John Cork
Written by Lee Pfeiffer, Mark Cerulli
Produced by Lee Pfeiffer, Mark Cerulli
Executive Producer: George Feltenstein
Narrated by Patrick Macnee
Creative Consultant: Paul Scrabo
Camera: Paul Scrabo
Technical Support: George Ann Muller
Editor: Leon Seith |
AVID Editorial Assistance: Brent Jones
Technical Consultant: Lance Moody
U.K. Production Manager: Dave Worrall
Director of Research: James Kroeper, Jr.
Assistant Director/Production Assistant: Bruce Scivally
Makeup: Jane Atkinson
Collectibles Photography: Tom Stroud
Film Archivist: Bill Duelly
Additional Camera: Ed Fieder |
MI6 Vault:
On Tour with the Aston Martin
Honor Blackman Open-Ended Interview |
Written by John Cork
Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman |
Assistant Editor: Jessie Marion
Post Production Supervisor: Laura Lopez
Narrators: Michael Ashley, Anne Bennett
Sound Mixer: David Barnard |
|
|
| THUNDERBALL (1995 / 1999 / 2006 / 2008) |
|
| |
The Making of Thunderball |
Written and Directed by John Cork
Produced by Lee Pfeiffer, Mark Cerulli
Executive Producer: George Feltenstein
Narrated by Patrick Macnee
Creative Consultant: Paul Scrabo
Camera: Paul Scrabo
Technical Support: George Ann Muller
Editors: Michael Thibault, Christos Pathiakis |
Assistant Editor: Todd Stribich
U.K. Production Manager: Dave Worrall
Director of Research: James Kroeper, Jr.
Assistant Director/Production Assistant: Bruce Scivally
Makeup: Jane Atkinson
Collectibles Photography: Tom Stroud
Film Archivist: Bill Duelly |
The Thunderball Phenomenon |
Written and Directed by John Cork
Produced by Lee Pfeiffer, Mark Cerulli
Narrated by Patrick Macnee
Executive Producer: George Feltenstein
Creative Consultant: Paul Scrabo
Camera: Paul Scrabo
Technical Support: George Ann Muller
Editor: Leon Seith
AVID Editorial Assistance: Brent Jones |
Technical Consultant: Lance Moody
U.K. Production Manager: Dave Worrall
Director of Research: James Kroeper, Jr.
Assistant Director/Production Assistant: Bruce Scivally
Makeup: Jane Atkinson
Collectibles Photography: Tom Stroud
Film Archivist: Bill Duelly
Additional Camera: Ed Fieder |
The Secret History of Thunderball |
Written and Directed by John Cork |
Produced by Lee Pfeiffer, Mark Cerulli |
MI6 Vault:
On Location with Ken Adam: Thunderball
Bill Suitor: The Rocket Movies
Thunderball Boat Show Reel |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Sound Mixer: David Barnard
Narration by Ken Adam, Bill Suitor, Michael Wilson |
|
|
| YOU ONLY LIVE TWICE (2000 / 2006) |
|
| |
Inside You Only Live Twice |
Written and Directed by John Cork
Produced by David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Associate Producer: Lisa Karadjian
Edited by Peter Phillips
Assistant Editors: Jared Ali, Peter D. Taylor, Byron Thompson
Field Producers-London: Dave Worrall, Antonia de Barton-Watson |
Camera: Geoff Greenside, Graham Minassian, Henry Nield, Paul Scrabo, Steven Wacks, John Whatton
Sound: Scott Ikegami, George Ann Muller, Geoff Neate, Dave Rody, Doug Smith, Chris White
Make-up: Joannel Clemente, Abigail Graves, Lynn Jackett
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: James S. Burkart Jr., Derek Miller
Sound Mixer: Ron Miller |
Silhouette: The Bond Titles |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Associate Producer: Lisa Karadjian
Edited by Michael Lichtenberger
Assistant Editors: Jared Ali, Peter D. Taylor, Byron Thompson |
Field Producer-London: Dave Worrall, Antonia de Barton-Watson
Camera: Alain Dumas, Geoff Greenside, Paul Scrabo, Steven Wacks, John Whatton
Sound: Louis Borgia, Denny Harris, George Ann Muller, Doug Smith
Make-up: Joannel Clemente, Marilyn Rieul
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Ron Miller |
MI6 Vault:
Whicker’s World - Highlights
On Location with Ken Adam |
Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narrators: Ken Adam, Michael Wilson
Sound Mixer: David Barnard |
|
|
| ON HER MAJESTY’S SECRET SERVICE (2000 / 2006) |
|
| |
Inside On Her Majesty’s Secret Service |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Edward Yost
Assistant Editors: Dan Schanks, Lisa Hancock
Archival Producer: Anthony Waye
Research: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
Camera: Geoff Greenside, Graham Minassian, Henry Nield, Paul Scrabo, Steven Wacks, John Whatton |
Sound: George Ann Muller, Geoff Neate, Dexter Roberts, Dave Rody, Doug Smith, Chris White
Make-up: Joannel Clemente, Abigail Graves, Jodi Lynn Malitsky, Marilyn Rieul
Digital Imaging Artist: David Larry
Production Assistant-Post Production: Tony Masci
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Mike White |
Inside Q’s Lab |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee |
Edited by Dave Goldstein
Assistant Editors: Dan Schanks, Lisa Hancock
Research: Antonia de Barton-Watson |
MI6 Vault:
Casting on Her Majesty’s Secret Service
Press Day in Portugal
George Lazenby: In His Own Words |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narrators: Anne Bennett, Michael Wilson
Sound Mixer: David Barnard |
|
|
| DIAMONDS ARE FOREVER (2000 / 2006) |
|
| |
Inside Diamonds are Forever |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Edward Yost
Assistant Editors: Jared Ali, Peter Taylor, Byron Thompson
Associate Producer: Lisa Karadjian
Production Manager-London: Antonia de Barton-Watson
Field Producer-London: Dave Worrall |
Camera: Denis Boni, Steve DeCuir, Alain Dumas, Shaun Maurer, Paul Scrabo, Steven Wacks, John Whatton
Sound: George Ann Muller, John Packer, Grady Price, Dave Rody, Doug Smith
Make-up: Cecilia Clark, Joannel Clemente, Marilyn Rieul, Madlyn Thompson
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Ron Miller |
Cubby Broccoli: The Man Behind Bond |
Written and Directed by John Cork
Produced by David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Edward Yost
Assistant Editors: Jared Ali, Peter Taylor, Byron Thompson
Associate Producer: Lisa Karadjian
Production Manager-London: Antonia de Barton-Watson |
Field Producer-London: Carole Ashby, Anne Bennett, Dave Worrall
Camera: Shaun Maurer, Mark Rivers, Paul Scrabo, Steven Wacks, John Whatton
Sound: Roger Burgess. George Ann Muller, Doug Smith
Make-up: Joannel Clemente, Katya Thomas
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller |
MI6 Vault:
Lesson #007
Oil Rig Attack
Satellite Test Reel
Explosion Tests
Alternate and Expanded Angles: Diamonds are Forever |
Written by John Cork
Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman |
Assistant Editor: Jessie Marion
Post Production Supervisor: Laura Lopez
Narrators: Michael Wilson
Sound Mixer: David Barnard |
|
|
| LIVE AND LET DIE (1999 / 2006 / 2008) |
|
| |
Inside Live and Let Die |
Written and Directed by John Cork
Produced by David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Joel Heller
Assistant Editor: Jeremy R. Frandsen
Camera: Alain Dumas, Duwaine Rude, Paul Scrabo, Steven Wacks, John Whatton
Sound: Louis Borgia, Geoff Neate, Dave Rody, Doug Smith |
Lighting Director: George Ann Muller
Field Producer: Martine Hackett
Make-up: Joannel Clemente, Marilyn Rieul
After Effects Artist: Dorothea Gerassimova
Production Assistant-Post Production: Paco Farias
Production Assistant-LA Shoot: Derek Miller
Production Assistant-London Shoot: Antonia de Barton-Watson
Sound Mixer: Ron Miller |
MI6 Vault:
Bond 1973: The Lost Documentary
Roger Moore as James Bond, circa 1964
Live and Let Die Conceptual Art |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narrators: Ken Adam, Michael Wilson
Sound Mixer: David Barnard |
|
|
| THE MAN WITH THE GOLDEN GUN (2000 / 2006 / 2009) |
|
| |
Inside The Man With the Golden Gun |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Edward Yost
Assistant Editors: Dan Schanks, Lisa Hancock
Archival Producer: Anthony Waye
Research: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
Camera: Alain Dumas, Geoff Greenside, Shawn Maurer, Graham Minassian, Henry Nield, Paul Scrabo, Steven Wacks, John Whatton |
Sound: Louis Borgia, George Ann Muller, Geoff Neate, Dave Rody, Doug Smith, Chris White
Make-up: Joannel Clemente, Abigail Graves, Jodi Lynn Malitsky, Marilyn Rieul
Digital Imaging Artist: David Larry
Production Assistant-Post Production: Tony Masci
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Mike White
AVID Editing Consultant: Tom Ohanian |
Double-O Stuntmen |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally |
Edited by Dave Goldstein
Assistant Editors: Dan Schanks, Lisa Hancock
Research: Antonia de Barton-Watson |
MI6 Vault:
Guy Hamilton: The Director Speaks
Girls Fighting
The Road to Bond: Stunt Coordinator W. J. Milligan Jr. |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narrators: W. J. Milligan Jr., Michael G. Wilson
Sound Mixer: David Barnard |
|
|
| THE SPY WHO LOVED ME (2000 / 2006) |
|
| |
Inside “The Spy Who Loved Me” |
Written and Directed by John Cork
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Dave Goldstein
Assistant Editors: Dan Schanks, Lisa Hancock
Research: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
Field Producer-Rome: Mary Benedicta Cipolla
Camera: Alain Dumas, Geoff Greenside, Matteo Mancini, Graham Minassian, Henry Nield, Paul Scrabo, Steven Wacks, John Whatton |
Sound: Louis Borgia, Francesca Forletta, George Ann Muller, Geoff Neate, Dave Rody, Doug Smith, Chris White
Make-up: Joannel Clemente, Abigail Graves, Jodi Lynn Malitsky, Marilyn Rieul
Digital Imaging Artist: David Larry
Production Assistant-Post Production: Tony Masci
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Mike White |
Ken Adam: Designing Bond |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee |
Edited by Dave Goldstein
Assistant Editors: Dan Schanks, Lisa Hancock
Research: Antonia de Barton-Watson |
MI6 Vault:
007 In Egypt
On Location with Ken Adam
Escape from Atlantis: Storyboard Sequence |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narration: Ken Adam, Michael G. Wilson
Sound Mixer: David Barnard |
|
|
| MOONRAKER (2000 / 2006 / 2009) |
|
| |
Inside Moonraker |
Written and Directed by John Cork
Produced by David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Dave Goldstein
Assistant Editors: Dan Schanks, Lisa Hancock
Archival Producer: Anthony Waye
Research: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
Field Producer-Paris: Deborah Ford
Camera: Alain Dumas, Geoff Greenside, Matteo Mancini, Graham Minassian, Henry Nield, Paul Scrabo, Steven Wacks, John Whatton |
Sound: Louis Borgia, George Ann Muller, Geoff Neate, Gregory Roudier, Doug Smith, Chris White
Make-up: Joannel Clemente, Abigail Graves, Jodi Lynn Malitsky, Marilyn Rieul
Digital Imaging Artist: David Larry
Production Assistant-Post Production: Tony Masci
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Mike White |
The Men Behind the Mayhem |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally |
Narrated by Marie Clairu
Edited by Edward Yost
Assistant Editors: Dan Schanks, Lisa Hancock |
MI6 Vault:
Ken Adam’s Production Films: Moonraker
Sky Diving Storyboards
Cable Car Alternative Storyboards |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narration: Ken Adam, Michael G. Wilson
Sound Mixer: David Barnard |
|
|
| FOR YOUR EYES ONLY (2000 / 2006 / 2008) |
|
| |
Inside For Your Eyes Only |
Written and Directed by John Cork
Produced by David Naylor, Bruce Scivally
Edited by Joel Heller
Assistant Editor: Jeremy R. Frandsen
Camera: Alain Dumas, Paul Scrabo, Steven Wacks, John Whatton
Sound: Louis Borgia, Ned Hards, Geoff Neate, Doug Smith
|
Lighting Director: George Ann Muller
Field Producer: Dave Worrall
Make-up: Joannel Clemente, Lynn Jackett, Marilyn Rieul
Production Assistant-Post Production: Paco Farias
Production Assistant-LA Shoot: Derek Miller
Production Assistant-London Shoot: Antonia de Barton-Watson
Sound Mixer: Ron Miller |
MI6 Vault:
Deleted Scenes and Expanded Angles
Bond in Greece
Bond in Cortina
Neptune’s Journey |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narrators: Michael G. Wilson
Sound Mixer: David Barnard |
|
|
| OCTOPUSSY (2000 / 2006) |
|
| |
Inside Octopussy |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Gary Leva
Assistant Editors: Jared Ali, Peter Taylor, Byron Thompson
Associate Producer: Lisa Karadjian
Production Manager-London: Antonia de Barton-Watson |
Field Producer-London: Dave Worrall
Camera: Alain Dumas, Shaun Maurer, Paul Scrabo, Steven Wacks, John Whatton
Sound: Louis Borgia, George Ann Muller, Doug Smith
Make-up: Joannel Clemente, Marilyn Rieul
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Ron Miller |
Designing Bond: Peter Lamont |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Michael Lichtenberger
Assistant Editors: Jared Ali, Peter Taylor, Byron Thompson
Associate Producer: Lisa Karadjian
|
Production Manager-London: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
Camera:, Alain Dumas, Mike Medrano, Paul Scrabo, Steven Wacks, John Whatton
Sound: Louis Borgia, George Ann Muller, Doug Smith
Make-up: Joannel Clemente, Marilyn Rieul
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller |
Storyboard Sequences: The Taxi Chase |
Edited by Brad Grossman |
|
Storyboard Sequences: Bond Rescues Octopussy |
Edited by Brad Grossman |
|
MI6 Vault:
Shooting Stunts Part 1: Crashing Jeeps
Shooting Stunts Part 2: The Airplane Crash
Ken Burns On-Set Movie
On Location with Peter Lamont: Octopussy
Testing the Limits: The Aerial Team |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narrators: Ken Burns, John Glen, Peter Lamont
Sound Mixer: David Barnard |
|
|
| A VIEW TO A KILL (2000 / 2006) |
|
| |
Inside A View To A Kill |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Edited by Edward Yost
Assistant Editors: Jared Ali, Peter Taylor, Byron Thompson
Associate Producer: Lisa Karadjian
Production Manager-London: Antonia de Barton-Watson
Field Producer-London: Dave Worrall |
Camera: Steve DeCuir, Alain Dumas, Shaun Maurer, Paul Scrabo, Steve Suggs, Steven Wacks, John Whatton
Sound: Louis Borgia, George Ann Muller, Grady Price, Dave Rody, Michael Sakaniwa, Doug Smith
Make-up: Joannel Clemente, Marilyn Rieul, Madlyn Thompson
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Ron Miller |
The Bond Sound: The Music of 007 |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Michael Lichtenberger
Assistant Editors: Jared Ali, Peter Taylor, Byron Thompson
Associate Producer: Lisa Karadjian
Production Manager-London: Antonia de Barton-Watson |
Field Producer-London: Dave Worrall
Camera: Shaun Maurer, Paul Scrabo, Jeff Taylor, Steven Wacks, John Whatton
Sound: Denny Harris, Scott Ikegami, George Ann Muller, Dave Rody, Doug Smith
Make-up: Joannel Clemente, Marilyn Rieul
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Ron Miller |
MI6 Vault:
Alternate and Expanded Angle Scenes |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narration: John Glen
Sound Mixer: David Barnard |
|
|
| THE LIVING DAYLIGHTS (2000 / 2006) |
|
| |
Inside The Living Daylights |
Directed by John Cork
Written by Bruce Scivally
Produced by John Cork, David Naylor, Bruce Scivally Narrated by Patrick Macnee
Edited by Gary Leva
Assistant Editors: Jared Ali, Peter Taylor, Byron Thompson
Associate Producer: Lisa Karadjian
|
Production Manager-London: Antonia de Barton-Watson
Field Producer-London: Dave Worrall
Camera: Paul Scrabo, Steven Wacks, John Whatton
Sound: George Ann Muller, Doug Smith
Make-up: Joannel Clemente
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller
Sound Mixer: Ron Miller |
Ian Fleming: 007’s Creator |
Written and Directed by John Cork
Produced by David Naylor, Bruce Scivally Special Consultant: Andrew Lycett
Edited by Gary Leva
Assistant Editors: Jared Ali, Peter Taylor, Byron Thompson
Associate Producer: Lisa Karadjian |
Production Manager-London: Antonia de Barton-Watson
Camera: Dennis Boni, Mike Medrano, Paul Scrabo, Steven Wacks, John Whatton
Sound: George Ann Muller, John Packer, Doug Smith
Make-up: Joannel Clemente
Production Assistant-Post Production: Heather Lighston
Production Assistant-LA Shoot: Derek Miller |
MI6 Vault:
Timothy Dalton: The New James Bond/Vienna Press Conference
Timothy Dalton: On Acting
Dalton and D’Abo Interviews
The Ice Chase Outtakes |
Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narration: John Glen
Sound Mixer: David Barnard |
|
|
| LICENCE TO KILL (1999 / 2006 / 2009) |
|
| |
Inside Licence to Kill |
Written and Directed by John Cork
Produced by David Naylor, Bruce Scivally
Narrated by Patrick Macnee
Edited by Bruce Hepler
Assistant Editor: Jeremy R. Frandsen
Camera: Paul Scrabo, Steven Wacks, John Whatton
Sound: Ned Hards
|
Lighting Director: George Ann Muller
Field Producer: Martine Hackett
Make-up: Joannel Clemente, Ed Jackson
Production Assistant-Post Production: Paco Farias
Production Assistant-LA Shoot: Derek Miller
Production Assistant-London Shoot: Antonia de Barton-Watson
Sound Mixer: Ron Miller |
|
|
| GOLDENEYE (1999 / 2006) |
|
| |
The Goldeneye Video Journal |
Edited by Jeremy R. Frandsen |
|
MI6 Vault:
Directing Bond: The Martin Chronicles
Building A Better Bond: Pre-Production Featurette
The Return Of Bond – The Start Of Production Press Event
On Location with Peter Lamont: Goldeneye
Anatomy of a Stunt: Tank versus Perrier
Making It in Small Pictures: Derek Meddings
Pre-Titled Storyboard Sequence With Director Martin Campbell
Driven to Bond: Remy Julienne |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narration: John Cork, Peter Lamont, Michael G. Wilson
Sound Mixer: David Barnard |
MI6 Vault:
On Set with John Glen
On Location with Peter Lamont: Licence to Kill |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Narration: John Glen, Peter Lamont, Michael G. Wilson
Sound Mixer: David Barnard |
|
|
| TOMORROW NEVER DIES (2000 / 2006) |
|
| |
Deleted & Extended Scenes: Introduced by Director Roger Spottiswoode
Expanded Angles: Introduced by Director Roger Spottiswoode |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Camera: Robert Rasmussen
Additional Camera: Bruce Scivally
Sound Mixer: David Barnard |
| |
|
|
| THE WORLD IS NOT ENOUGH (2006 / 2009) |
|
| |
MI6 Vault:
Deleted & Extended Scenes with Introductions by Director Michael Apted
The Boat Chase
Creating an Icon: Making the Teaser Trailer
Hong Kong Press Conference |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion |
Post Production Supervisor: Laura Lopez
Camera: Robert Rasmussen
Additional Camera: Bruce Scivally
Sound Mixer: David Barnard |
| |
|
|
| DIE ANOTHER DAY (2003 / 2006) |
|
| |
MI6 Vault:
The British Touch: Bond Arrives in London
On Location with Peter Lamont: Die Another Day |
Written and Directed by John Cork
Produced by John Cork, Bruce Scivally
Edited by Brad Grossman
Assistant Editor: Jessie Marion
Post Production Supervisor: Laura Lopez |
Narration: Peter Lamont
Sound Mixer: David Barnard
MI6 Datastream trivia track researched and composed by John Cork and Bruce Scivally |
| |
|
|
| CASINO ROYALE COLLECTORS EDITION (2008) |
|
| |
Ian Fleming’s Incredible Creation |
Written & Directed by John Cork
Producer by John Cork & Robert Rasmussen
Edited by Brad Grossman
Camera by Robert Rasmussen |
Assistant Editors: Amitabh Klemm, Eric Reid, Jonathan Thornhill & Dean Williams
Production Coordinator: Brett Webster
Associate Producer: Scott McIsaac |
Ian Fleming: The Secret Road to Paradise |
Written, Directed & Edited by John Cork
Producer by John Cork & Robert Rasmussen
Camera by Robert Rasmussen
Additional Camera & Editing: Brad Grossman
Graphics: Dean Williams |
Assistant Editors: Amitabh Klemm, Eric Reid, Jonathan Thornhill & Dean Williams
Production Coordinator: Brett Webster
Associate Producer: Scott McIsaac
Bahamas Production Unit: James Burkart Jr. |
The Road to Casino Royale |
Written & Directed by John Cork
Producer by John Cork & Robert Rasmussen
Edited by Brad Grossman
Camera by Robert Rasmussen
Graphics: Dean Williams |
Assistant Editors: Amitabh Klemm, Eric Reid, Jonathan Thornhill & Dean Williams
Production Coordinator: Brett Webster
Associate Producer: Scott McIsaac |
James Bond in the Bahamas |
Written & Directed by John Cork
Producer by John Cork & Robert Rasmussen
Edited by John Cork & Brad Grossman
Camera by Robert Rasmussen
Underwater Cinematography by Jordan Klein, Jr.
Graphics: Dean Williams |
Assistant Editors: Amitabh Klemm, Eric Reid, Jonathan Thornhill & Dean Williams
Production Coordinator: Brett Webster
Associate Producer: Scott McIsaac
Additional Camera: Wade Wallace
Bahamas Production Unit: James Burkart Jr. |
The Art of the Freerun |
Written & Directed by John Cork
Producer by John Cork & Robert Rasmussen
Edited by Dean Williams |
Camera by Robert Rasmussen
Production Coordinator: Brett Webster
Assistant Editors: Amitabh Klemm, Eric Reid & Jonathan Thornhill |
Catching A Plane: Storyboard to Screen |
Edited by Dean Williams |
|
Storyboard Sequence: Freerun Chase |
Edited by Dean Williams |
|
Filmmaker Profiles:
Martin Campbell, Chris Corbould, Phil Méheux, Gary Powell, Alexander Witt, & David Arnold |
Edited by Dean Williams |
|
|
|
| |
|
 |
